Review | Exposure by Olivia Sudjic
Interview | 2018 Short Story Prize Judges!
The London Magazine Podcast | Episode 4 | A Discovery of Ancient Literature
Review | Oceania at the Royal Academy of Arts
Review | Anglo-Saxon Kingdoms: Art, Word, War at the British Library
Archive | Philip Larkin | Two Poems: To The Sea, Annus Mirabilis
Review | Theatre | The Unreturning at the Everyman Theatre
Review | Green Noise by Jean Sprackland
Essay | Shakespeare’s London and the Emergence of the Playhouse
Staff Picks | The Best of Gothic Fiction
Archive | Essay | Some Recollections of Brâncuși by Eugène Ionesco
Preview | The Turning of The Leaves at Union Chapel
Poetry | Woman by Manash Bhattacharjee
Review | Medusa at Sadler’s Wells Theatre
Review | Christian Marclay — The Clock at Tate Modern
Review | Limbo by Dan Fox
Review | The Book of Joan by Lidia Yukavitch | H(a)ppy by Nicola Barker
Spotlight II: Dostoyevsky Wannabe
Review | Normal People by Sally Rooney
Preview | Phoebe Dickinson: Journey Through Landscape at Tessa Packard Showroom
Essay | ‘Time to Murder and Create’: When Fiction Bleeds into Nonfiction by Mathis Clément
If I were to open by describing my setting as a desk piled high with old issues of The London Magazine, the wine red May 1960 issue face down on top, rust-brown rimmed teacup marking the narrow No Man’s Land between the pile and my laptop, you would assume I were telling the truth. If I were to add that the red reminded me of blood spilled last week in rage and the brown rimmed cup of the plughole down which that blood spiraled, you would assume I was either lying or mad.
Review | Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk
Review | The Chameleon by Samuel Fisher
The Chameleon is a book narrated by the soul of a book, which can shape shift between any book that it pleases. Stretching across a time frame that goes from the Black Death of the 13th century to the aftermath of the Cold War in the late twentieth century, it is one of the most unusual love stories that you are likely to read.

























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