Review | Krzysztof Gil: Welcome to the Country Where the Gypsy has been Hunted at l’étrangère
On view at l’étrangère gallery in East London is the first ever UK solo exhibition by the Polish Roma artist…
Review | Shitstorm by Fernando Sdrigotti
Shitstorm, Fernando Sdrigotti, Open Pen, 2018, £4.99 Among four equally alluring others, Open Pen’s new series of “novelettes” features Fernando…
Review | Summer and Smoke at The Duke of York’s Theatre
Briony Willis Summer & Smoke A poetic vision of human nature and our existential struggle to forge the middle ground…
Poetry | A Series of Ekphrastic Poems on Eileen Agar’s Marine Object by Suzannah V. Evans
Suzannah V. Evans is a poet, editor, and critic. The following series of poems was inspired by a visit to…
Flash Fiction | Never Fall For That by Rebecca Lilly
“Clarify your intent,” — Lama Chopra, our meditation teacher, rang the bell for us to sit — “the Reaper was…
Review | Now, Now, Louison by Jean Frémon
Now, Now, Louison, Jean Frémon (translated by Cole Swensen), Les Fugitives, 2018, pp.115, £12.00 Now, Now, Louison, originally published in French…
Review | Virginia Woolf: An Exhibition Inspired By Her Writings — Fitzwilliam Museum, Cambridge
The first thing that you see as you enter the Virginia Woolf exhibition at the Fitzwilliam Museum is a photograph…
Review | Death and Other Holidays by Marci Vogel
Death and Other Holidays, Marci Vogel, Melville House, November 2018 Award-winning writer, poet and translator Marci Vogel is the author…
Review | Glad I Did It — Christina Reihill at Bermondsey Project Space
Made up of three L-shaped levels, Christina Reihill’s Glad I did it is an invitation into the mind and last…
Review | Exposure by Olivia Sudjic
Exposure, Olivia Sudjic, Pensinsula Press, 2018, pp. 127, £6 Exposure, the new book by Olivia Sudjic, elegantly dissects the multi-layered…
Interview | 2018 Short Story Prize Judges!
With only a few weeks remaining for our Short Story Prize for this year, we thought we would catch up…
The London Magazine Podcast | Episode 4 | A Discovery of Ancient Literature
We were recently contacted by Reverend Christian Mitchell of the church of Heathfield in rural Sussex, who had made a…
Review | Oceania at the Royal Academy of Arts
Oceania is the first ever major survey of Oceanic art to be held in the UK and is pioneering in its…
Review | Anglo-Saxon Kingdoms: Art, Word, War at the British Library
Anglo-Saxon England, which lasted from the 5th to the 11th centuries, a span two-hundred years longer than the Roman occupation,…
Archive | Philip Larkin | Two Poems: To The Sea, Annus Mirabilis
Philip Larkin (1922-1985) was a prolific poet and writer of essays, criticism and reviews during the twentieth century. Described as…
Review | Theatre | The Unreturning at the Everyman Theatre
Frantic Assembly’s latest project “The Unreturning” arrives at Theatre Royal Stratford East in January 2019. This time, their celebrated physicality…
Review | Green Noise by Jean Sprackland
Green Noise, Jean Sprackland, Jonathan Cape, 2018, 64pp, £10.00 With Green Noise, the fifth collection from Jean Sprackland, she attunes us to…
Essay | Shakespeare’s London and the Emergence of the Playhouse
Today, the idea of the theatre can evoke tradition and history, having perhaps one of the longest histories of all…
Staff Picks | The Best of Gothic Fiction
As it’s Halloween, The London Magazine team have been discussing the nature of horror in fiction, and why we are so…
Archive | Essay | Some Recollections of Brâncuși by Eugène Ionesco
The following essay, originally published in the April 1961 edition of The London Magazine, recounts the time by spent by…
Preview | The Turning of The Leaves at Union Chapel
Following last year’s immersive multi-screen audio-visual installation for Remembrance Day, artist and poet Jack Miguel, filmmaker Taz Tron Delix and…
Poetry | Woman by Manash Bhattacharjee
Woman “It’s easy, impossible, hard, worth trying.” ~ Wislawa Szymborska, “Portrait of a Woman” (1976) She is intimately attached To…
Review | Medusa at Sadler’s Wells Theatre
Briony Willis Medusa Through beautifully poetic movements and engaging drama, Jasmin Vardimon has created a unique choreographic voice that enables…
Review | Christian Marclay — The Clock at Tate Modern
Christian Marclay Blavatnik Building, level 2 Tate Modern Until 20th January 2019 “Time present and time past”, as T.S. Eliot…
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