Review | Circa at Old Red Lion Theatre
Circa, written by Tom Ratcliffe and directed by Andy Twyman is meant to be a story about modern gay life.…
Interview | Kevin Breathnach
I had intended my interview with Kevin Breathnach to go smoothly and at first it appeared to be doing so.…
Review | Henry Hudson — nothing sticks to nothing at Hannah Barry Gallery
The story being told is not one of words, but of a language that finds roots beyond symbols defined by…
Review | Emotive Brutes at Trate Studios
Far from the crowded and anxious streets of a city that has made insomnia the rule, sits the rare exception,…
Review | Don McCullin at Tate Britain
We live in an era in which we see more images than ever before in human history. When we see…
Review | The Cemetery in Barnes by Gabriel Josipovici
“After all, everyone has fantasies. In the one life there are many lives. Alternative lives. Some are lived and others…
Review | Leminscate by Chris Viner
Leminscate, Chris Viner, Unsolicited Press, 2017, pp. 72 The 6th isn’t busy. Six days since the attack And inside the…
Review | The Monstrous Child at The Royal Opera House
The newly refurbished Linbury Theatre in the Royal Opera House is having its first opera performances with the world premiere…
Review | Abuse II, The Uncanny by Alessio Bolzoni
At first you see the bodies and ask yourself why – that is how the story begins, how the narrative…
Interview | Raymond Antrobus
Raymond Antrobus is a poet, educator, curator, editor and investigator of missing sounds, who is a founding member of Chill Pill as…
Review | Mad, Bad, and Dangerous to Know by Colm Tóibín
Mad, Bad, Dangerous to Know: The Fathers of Wilde, Yeats and Joyce, Colm Tóibín, Viking, 2018, pp.192, £14.99 Strolling through the…
Review | Diane Arbus & Kader Attia at the Hayward Gallery
From the very conception of artistic expression, artists have engaged with the notion of self and the formation of identity.…
Review | Mothlight by Adam Scovell
Adam Scovell’s debut novel is narrated by Thomas, a young man who hallucinates the memories of his deceased mentor, Phyllis…
Review | Nocilla Lab | Agustín Fernández Mallo
Nocilla Lab, Agustín Fernández Mallo (Translated by Thomas Bunstead), Fitzcarraldo Editions, 2019, pp. 192, £12.99 “The fascination of humankind with…
Dido and Aeneas by Jeffrey Meyers
Autumn in Venice: Ernest Hemingway and His Last Muse, Andrea di Robilant, Atlantic Books, 348 pp. £17.99 (hardback). Andrea di…
Interview | Andrew Kötting at St Leonards International Film Festival
St Leonard’s International Film Festival Blackmarket VIP, George St, Hastings 19-21th January HUBUBINTHEBAOBABS – 1987 33 minutes HOI POLLOI 1990 – 10 minutes SMART ALEK 1993 –…
Review | Tracey Emin: A Fortnight of Tears at White Cube
A Fortnight of Tears is a major new exhibition of works by acclaimed British artist Tracey Emin. The show features…
Essay | The Warlock of Love: Revisiting Marc Bolan’s Forgotten Poetry Book Fifty Years On by Joobin Bekhrad
Fifty years ago in March 1969, a rather odd book of verse hit Britain’s bookshelves. Its jacket contained no description…
Review | Among The Lost by Emiliano Monge
In the desolate wastelands between the sierra and the jungle, under an all-seeing, unforgiving sun, a single day unfolds as…
Review | Ghislaine Leung at the Chisenhale Gallery
Ghislaine Leung’s Constitution opened at the Chisenhale Gallery on the 25th January 2019. The work explores the notion of withdrawal…
Review | GeorgII Uvs | Full Circle: The Beauty of Inevitability at Saatchi Gallery
Science and art come together under the inventive hand of GeorgII Uvs in Full Circle: The Beauty of Inevitability. A…
Kenneth Womack | The Making of Penny Lane
The following is an extract from Sound Pictures: The Life of Beatles Producer George Martin (The Later Years: 1966-2016) by…
Spotlight III: Influx Press
The London Magazine has long been a champion of emerging writers and independent publishers, stretching back to the 1950s and…
Review | Bill Viola / Michelangelo: Life, Death, Rebirth at Royal Academy
In a contemporary art world dominated by video art (as shown by the 2018 Turner Prize) Bill Viola / Michelangelo: Life,…
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