Review | La Forza Del Destino at the Royal Opera House
The Royal Opera House has brought together the best cast in the world right now for their new production of…
Interview | Curator Amanda Bradley | Counterpoint – Stanley Spencer and his Contemporaries
Known for his eccentricity and convention-defying style, Stanley Spencer’s majestic work is beyond definition. The upcoming exhibition, Counterpoint – Stanley…
Review | The Neighbourhood by Hannah Lowe
Hannah Lowe’s fourth chapbook, The Neighbourhood, begins with a winding dotted line that travels from the first to the second…
Review | Iolanta and L’enfant et les sortilèges at Royal Academy Opera
The Royal Academy Opera put on a sumptuous double bill of one-act operas: Tchaikovsky’s Iolanta and Ravel’s L’enfant et les…
Review | Little Boy by Lawrence Ferlinghetti
Lawrence Ferlinghetti is about to turn one hundred years old, and he still has plenty to say. In his work…
Review | Animalia by Jean-Baptiste Del Amo
“When she finds a worm buried in the heart of a plum, an apple, she looks at it, shows it,…
Poetry | Joan Howson’s Cottage by Michael Henry
Michael Henry Joan Howson’s Cottage This is Black Rock Sands that …………my parents walked to from their honeymoon hideaway. Those…
News | Waltham Forest Borough of Culture 2019 — The People’s Forest + Interview
The People’s Forest — a literary strand to Waltham Forest’s programme as the first ever London Borough of Culture this…
Review | How Chicago! Imagists 1960s & 70s at Goldsmiths CCA
How Chicago! Imagists 1960s & 70s opens at the Goldsmiths Centre for Contemporary Art on the 15th March, showing until…
Review | Circa at Old Red Lion Theatre
Circa, written by Tom Ratcliffe and directed by Andy Twyman is meant to be a story about modern gay life.…
Interview | Kevin Breathnach
I had intended my interview with Kevin Breathnach to go smoothly and at first it appeared to be doing so.…
Review | Henry Hudson — nothing sticks to nothing at Hannah Barry Gallery
The story being told is not one of words, but of a language that finds roots beyond symbols defined by…
Review | Emotive Brutes at Trate Studios
Far from the crowded and anxious streets of a city that has made insomnia the rule, sits the rare exception,…
Review | Don McCullin at Tate Britain
We live in an era in which we see more images than ever before in human history. When we see…
Review | The Cemetery in Barnes by Gabriel Josipovici
“After all, everyone has fantasies. In the one life there are many lives. Alternative lives. Some are lived and others…
Review | Leminscate by Chris Viner
Leminscate, Chris Viner, Unsolicited Press, 2017, pp. 72 The 6th isn’t busy. Six days since the attack And inside the…
Review | The Monstrous Child at The Royal Opera House
The newly refurbished Linbury Theatre in the Royal Opera House is having its first opera performances with the world premiere…
Review | Abuse II, The Uncanny by Alessio Bolzoni
At first you see the bodies and ask yourself why – that is how the story begins, how the narrative…
Interview | Raymond Antrobus
Raymond Antrobus is a poet, educator, curator, editor and investigator of missing sounds, who is a founding member of Chill Pill as…
Review | Mad, Bad, and Dangerous to Know by Colm Tóibín
Mad, Bad, Dangerous to Know: The Fathers of Wilde, Yeats and Joyce, Colm Tóibín, Viking, 2018, pp.192, £14.99 Strolling through the…
Review | Diane Arbus & Kader Attia at the Hayward Gallery
From the very conception of artistic expression, artists have engaged with the notion of self and the formation of identity.…
Review | Mothlight by Adam Scovell
Adam Scovell’s debut novel is narrated by Thomas, a young man who hallucinates the memories of his deceased mentor, Phyllis…
Review | Nocilla Lab | Agustín Fernández Mallo
Nocilla Lab, Agustín Fernández Mallo (Translated by Thomas Bunstead), Fitzcarraldo Editions, 2019, pp. 192, £12.99 “The fascination of humankind with…
Dido and Aeneas by Jeffrey Meyers
Autumn in Venice: Ernest Hemingway and His Last Muse, Andrea di Robilant, Atlantic Books, 348 pp. £17.99 (hardback). Andrea di…
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