‘Father killed her. Not with the knife, no, nor with the pistol, nor even with the blunt instrument. It was the old weapon – hatred.’
Short fiction by Graham Swift.
‘Father killed her. Not with the knife, no, nor with the pistol, nor even with the blunt instrument. It was the old weapon – hatred.’
Short fiction by Graham Swift.
‘I don’t want to be a representative for a nation state.’
We chatted to Joshua Jones, author of Local Fires, about the benefits of multiple POVs and interconnected stories, how not to get sued when writing autofiction and his love of Chicago indie rock band, Joan of Arc.
‘There’s a great deal of horror to be found when desire is misaimed or curdles – our desires are often an expression of the systems of power we exist in.’
Eliza Clark interviewed by Zadie Loft.
‘The baby has come to understand the world as reducible into categories, an indefinitely vast space populated by discrete objects with dedicated names and stable locations.’
Runner-up in the Brick Lane Bookshop Short Story Prize 2024: Louie Conway’s ‘Un’.
‘In this complex world where human kind is divided into tiny sections, I hope we all can find the unity we are meant to have.’
Eric Block interviews artist Farkhondeh Ahmadzadeh and curator Esen Kaya.
‘The writing of Pleasure Gardens – and its reading – constitutes an act of resistance; a reclaiming of the digital narrative space that has been blacked out by the state and overwritten by its propaganda machine.’
Zoe Valery reviews ‘Pleasure Gardens’.
‘In the end, said Chandler, as one grew older, one grew out of gangsters and blondes and guns and, since they were the chief ingredients of thrillers, short of space fiction, that was that.’
Ian Fleming recounts his friendship with Raymond Chandler.
‘Fatima subtly observes that domesticity – the unit of the family, the capitalist-defined utopia of social togetherness, of selfhood and nationhood itself – always depends on the poor who stand outside of it.’
Hannah Hutchings-Georgiou reviews ‘Is Someone There?’.
‘A deeply impressive range of stories, both in style and subject. Together they offer a picture of contemporary life in miniature.’
Benjamin Markovits on the winners of this year’s Short Story Prize.
‘To me, writing is best described as listening. And at a certain point it is as if the text is already written: it exists out there somewhere, and I just have to write it down before it disappears.’
Zadie Loft interviews Jon Fosse.
‘Yes I understand the world; it doesn’t mean I want / to do it. It’s hard!’
Two poems by Miruna Fulgeanu.
‘But these are not just white people, these are queer people. And what is that supposed to mean? Is queer some reliable thing?’
Short fiction by Amaan Hyder, winner of The London Magazine Short Story Prize 2024.
‘The sheer volume of material we encounter renders our engagement with any part of it increasingly difficult.’
Joey Connolly on information overload and syzygy.
From: £50.00
On The London Magazine podcast, we speak to brilliant writers, poets and artists about their craft, inspiration and career so far. If ever you want to ask our guests a literary question, email info@thelondonmagazine.org to have it asked on the podcast.
‘I don’t want to be a representative for a nation state.’
We chatted to Joshua Jones, author of Local Fires, about the benefits of multiple POVs and interconnected stories, how not to get sued when writing autofiction and his love of Chicago indie rock band, Joan of Arc.
Claire Carroll writes experimental fiction about the intersection of nature, technology and desire. On the podcast, she talks about her new short story collection, The Unreliable Nature Writer.
We talk to Orlando Whitfield, writer and self-proclaimed failed art dealer about his new book, All That Glitters: A Story Of Friendship, Fraud And Fine Art.
The London Magazine has a publication history spanning almost three hundred years, and has featured work by some of the most prominent names in literature, from John Keats to Hilary Mantel. In this curated selection, we share our favourite pieces from the TLM archive.
‘Father killed her. Not with the knife, no, nor with the pistol, nor even with the blunt instrument. It was the old weapon – hatred.’
Short fiction by Graham Swift.
‘In the end, said Chandler, as one grew older, one grew out of gangsters and blondes and guns and, since they were the chief ingredients of thrillers, short of space fiction, that was that.’
Ian Fleming recounts his friendship with Raymond Chandler.
‘What purpose does realism serve? … I asked … Are images of starving children, beaten workers, brutal factory owners … realistic? Myself, I think they’re absurd.’
Short fiction by Deborah Levy.