‘How do you write silence? That’s what I’m trying to do. How do you write death before you’ve experienced it? That’s what I’m trying to do.’
Luke Dunne interviews Victoria Chang.
Interview | Capitalism Against Itself: An Interview with Hettie O’Brien
‘A water company running up debts to enrich its investors is permissible, but a government that borrows to invest in the public realm, not so much.’
Sruti Basak interviews Hettie O’Brien.
Interview | Mariana Enriquez: Seven Questions
‘Why would you do that – visit cemeteries?’ is a sentiment often expressed to me, voicing some kind of disgust, as if I did something like, I don’t know, collect vomit.
Konrad Muller interviews Mariana Enriquez.
Essay | A 2026 Survey of Poets
Sixty-four years on from the original survey, The London Magazine speaks to fifteen poets, including Jorie Graham, Don Paterson, A. E. Stallings and more, about the state of contemporary poetry.
Interview | Wayfaring Stranger: An Interview with Andrea Luka Zimmerman
‘At the cinema people ask questions on process, whereas at the outdoor screenings I don’t think I’ve ever gotten a question about process; the audience talk more of themselves, their own experience.’
Lydia de Matos speaks to Andrea Luka Zimmerman.
Interview | Post-Pastoral: An Interview with Zakia Sewell
‘As someone of mixed heritage, I contain or embody the oppressor and the oppressed.’
Joseph Williams interviews Zakia Sewell.
Interview | Rishi Dastidar in Conversation with Sarah Howe
‘I lean on the Clive James idea that a poem is the only art form where you can order a coffee, and even before the drink has gone cold, you could have written something that will still be read in five hundred years’ time.’
Rishi Dastidar in Conversation with Sarah Howe.
Interview | Will Self on the End of Satire, the Rise of Fascism and Writing His Own Death
‘Someone who can’t read a book cannot deliberate, cannot think and cannot conceptualise, and therefore is a threat. We couldn’t have picked a worse time to become more stupid than when we needed more intelligence.’
Alex Dommett speaks to Will Self.
Interview | Folk for the Future: An Interview with Lally MacBeth
‘For folk to make sense now, it has to change to reflect communities and the times that we live in. It doesn’t make sense to cling desperately to the past.’
Rose Brookfield interviews Lally MacBeth
Interview | In Conversation with Rob Doyle
‘I feel that each book I write, and particularly each novel, becomes a monument to a phase of life, and more often than not to the crisis it coincides with.’
Jamie Cameron speaks to Rob Doyle.
Interview | Camilla Grudova on Sentimentality, Short Forms and Being Gross
‘There’s a wonderful quote from an Angela Carter story, in which one character says to another, “Bowels are a great leveller.” And I think that’s true.’
Devki Panchmatia interviews Camilla Grudova.
Interview | Lillian Fishman on Sex, Self-Knowledge and Psychoanalysis
‘I’m not interested at all in critiquing what’s wrong in our culture. I’m interested in what attracts us to its seedier elements. And attraction in general.’
Emmeline Armitage speaks to Lillian Fishman.
Interview | Lili Anolik on Didion, Babitz and Literary Stardom by Emmeline Armitage
‘You’re probably going to hurt people’s feelings. But you can’t let yourself think about that. You’ve got to stay detached, cool eyed. If you can’t do that, you might as well pack it in and become an academic or something.’
Emmeline Armitage interviews Lili Anolik.
Interview | Tim MacGabhann on Short Stories and the Anti-Plot Sentence
‘Even if you’re writing in the third person, in that George Eliot-style, zoomed-out voice, every narrator is a person. Who are they? How do they know this stuff? The reader may never know who they are, but you need to know who they are.’
Joseph Williams speaks to Tim MacGabhann.
Interview | Forward Prize for Best Collection: Vidyan Ravinthiran and Karen Solie
‘We all have so many things entering into the sensorium at the moment: it’s hard to be mindful and present while also acknowledging that you’re a person in history, with the past alive and all around us.’
Joint winners Vidyan Ravinthiran and Karen Solie in conversation.
Interview | Forward Prize for Best Single Poem – Performed: Bella Cox and Joshua Idehen
‘It’s been nice to create that interpersonal feeling that poetry does so well, where you think you’re having this solitary, solo, lonely experience, but then you write it down and perform it, and someone’s like, no, me too!’
A conversation between Bella Cox and Joshua Idehen.
Interview | Forward Prize for Best First Collection: Isabelle Baafi and Michael Mullen
‘What poetry does is give people the scope to simultaneously challenge and champion ideas. It’s good to be able to be critical of anything, even if it’s something you really believe in.’
A conversation between Isabelle Baafi and Michael Mullen.
Interview | Forward Prize for Best Single Poem – Written: Tom Branfoot and Tim Tim Cheng
‘The English language is a colonial weapon; it’s been employed for some of the most gruesome atrocities. How you make something beautiful with that is a troubling question.’
Shortlisted poets Tom Branfoot and Tim Tim Cheng discuss each other’s work.
Interview | Mai Serhan on Exile, Form and the Making of a Writer
‘Diaspora life comes with its own kind of weight. We’re not in the rubble, but we carry it inside us. That contradiction, being physically far but emotionally tied in, is a big part of what it means to be Palestinian in exile.’
Jamie Cameron speaks to Mai Serhan.
Interview | The Expansion Project: An Interview with Ben Pester
‘I remember being cross at work when Google were getting rid a bit of software and the announcement said Google is “sunsetting” this product. Sunsetting! You can’t have the sunset.’
Joseph Williams speaks to Ben Pester.
Interview | Joanna Pocock on Greyhound and America as the Ailing Motherland
‘I love the fact that Americans are still working out concepts like, what is freedom? What does freedom look like? Is it libertarian? Is it a socialist thing? Is it more of a free market thing? They grapple with the big things.’
Emmeline Armitage speaks to Joanna Pocock.
Interview | ‘An anti-flâneuse kind of existence’: In conversation with Lauren Elkin
‘I don’t know if it’s very interesting to read fiction where you can feel that the author is judging the character. It’s so important that the novel be a space of non-judgement, for the readers to take from it what they will.’
Rosa Appignanesi interviews Lauren Elkin.
Interview | Caught up in History: In Conversation with Viet Thanh Nguyên
‘What becomes important for me is to think about ourselves not only as individuals, which is what memoirs are typically supposed to deal with, but as people who are caught up in history.’
Arjuna Keshvani-Ham interviews Viet Thanh Nguyên.
Interview | ‘Whose freedom would you sacrifice for your own?’: Performing The Crucible in 2025
‘It’s an obvious thing to say but bad things happen when people are afraid, oppressed and silenced. If we could only take heed of the lessons that history has attempted to teach us.’
Hannah Saxby and Phoebe Pryce discuss performing Arthur Miller’s The Crucible in 2025.