‘I feel that each book I write, and particularly each novel, becomes a monument to a phase of life, and more often than not to the crisis it coincides with.’
Jamie Cameron speaks to Rob Doyle.
Review | On the T. S. Eliot Prize Shortlist 2025 by Dominic Leonard
‘It is easy to bemoan the quality of poetry’s decline, when in fact the quantity of good stuff published each year has stayed relatively constant, if you know where to look and whose judgement to trust.’
Dominic Leonard reviews the 2025 T. S. Eliot Prize shortlist.
Interview | Camilla Grudova on Sentimentality, Short Forms and Being Gross
‘There’s a wonderful quote from an Angela Carter story, in which one character says to another, “Bowels are a great leveller.” And I think that’s true.’
Devki Panchmatia interviews Camilla Grudova.
Essay | Remembering John Burnside in The Empire of Forgetting by Callum MacKillop
‘When I learned Burnside had died, I wondered if I had a claim to grief, and if I did, whether it was for the poet I admired or the generous teacher I had come to know.’
Callum MacKillop on John Burnside’s Empire of Forgetting.
The Best Books of 2025
From reissued classics, theory and art criticism to poetry, fiction, biography and even a memetic fiction born out of niche internet subcultures, here are The London Magazine’s Best Books of 2025.
Interview | Lillian Fishman on Sex, Self-Knowledge and Psychoanalysis
‘I’m not interested at all in critiquing what’s wrong in our culture. I’m interested in what attracts us to its seedier elements. And attraction in general.’
Emmeline Armitage speaks to Lillian Fishman.
The London Magazine Writing Retreat at The Mill, France
From June 14th–21st 2026, join The London Magazine on a restorative and productive creative writing retreat at The Mill, France.
While our editorial team will be on hand throughout the week to lead workshops, facilitate conversations and offer one-to-one editorial feedback, the retreat is designed so that you can write at your own pace.
Renesha Dhanraj wins The London Magazine Short Story Prize 2025
The judges of The London Magazine Short Story Prize 2025 award first place to Renesha Dhanraj for her story, ‘Black Cake’, with second and third place awarded to Jordan Hayward and Jonathan Edwards, respectively.
Interview | Lili Anolik on Didion, Babitz and Literary Stardom by Emmeline Armitage
‘You’re probably going to hurt people’s feelings. But you can’t let yourself think about that. You’ve got to stay detached, cool eyed. If you can’t do that, you might as well pack it in and become an academic or something.’
Emmeline Armitage interviews Lili Anolik.
Review | Fictionally Speaking, True by Hassan Akram
‘Smith is an excellent dissector of power and identity, but conventional party politics are not in her line.’
Hassan Akram reviews Zadie Smith’s Dead and Alive.
Archive | A 1962 Survey of Poets
The February 1962 edition of The London Magazine was dedicated to poetry.
Editor Alan Ross spoke to several poets at the time about their craft and thoughts on poetry, including Robert Graves, Philip Larkin, Derek Walcott, Ted Hughes, Sylvia Plath and more.
Essay | The Leftovers by Gabrielle Showalter
‘Sandy had decimated our marine life and scarred our coastline, and then came the developers to carve up the carcass. These days, the new residents have a saying for the remaining pre-Sandy locals: the leftovers.’
Gabrielle Showalter recalls Hurricane Sandy.
Review | To Go Through the Raskolnikov Process by Hugh Foley
‘The result is beyond his competence as a writer, but it is nevertheless an interesting attempt to channel alt-lit’s commitment in new directions.’
Hugh Foley reviews Jordan Castro’s Muscle Man.
Interview | Tim MacGabhann on Short Stories and the Anti-Plot Sentence
‘Even if you’re writing in the third person, in that George Eliot-style, zoomed-out voice, every narrator is a person. Who are they? How do they know this stuff? The reader may never know who they are, but you need to know who they are.’
Joseph Williams speaks to Tim MacGabhann.
Essay | Swimming Pools by Emmeline Armitage
‘Pools are a curious manipulation of the natural. Where the sea performs feeling, unbreakable and unending, the reality of the pool is one trapped, much like the icons of this era, in aesthetic permanence.’
Emmeline Armitage on the symbol of the swimming pool.
Interview | Forward Prize for Best Collection: Vidyan Ravinthiran and Karen Solie
‘We all have so many things entering into the sensorium at the moment: it’s hard to be mindful and present while also acknowledging that you’re a person in history, with the past alive and all around us.’
Joint winners Vidyan Ravinthiran and Karen Solie in conversation.
Interview | Forward Prize for Best Single Poem – Performed: Bella Cox and Joshua Idehen
‘It’s been nice to create that interpersonal feeling that poetry does so well, where you think you’re having this solitary, solo, lonely experience, but then you write it down and perform it, and someone’s like, no, me too!’
A conversation between Bella Cox and Joshua Idehen.
Interview | Forward Prize for Best First Collection: Isabelle Baafi and Michael Mullen
‘What poetry does is give people the scope to simultaneously challenge and champion ideas. It’s good to be able to be critical of anything, even if it’s something you really believe in.’
A conversation between Isabelle Baafi and Michael Mullen.
Interview | Forward Prize for Best Single Poem – Written: Tom Branfoot and Tim Tim Cheng
‘The English language is a colonial weapon; it’s been employed for some of the most gruesome atrocities. How you make something beautiful with that is a troubling question.’
Shortlisted poets Tom Branfoot and Tim Tim Cheng discuss each other’s work.
Interview | Mai Serhan on Exile, Form and the Making of a Writer
‘Diaspora life comes with its own kind of weight. We’re not in the rubble, but we carry it inside us. That contradiction, being physically far but emotionally tied in, is a big part of what it means to be Palestinian in exile.’
Jamie Cameron speaks to Mai Serhan.
Fiction | In That Other City, One I Knew and Loved by Jimin Kang
‘It was in moments like these that Pablo questioned whether ambition could be vaster than this: the ocean, the magnanimity of drunkenness around old friends, the heart-tug of seeing private concerns etched into their faces, all the sorrows he once believed would also be his.’
New short fiction by Jimin Kang.
Essay | For Love of the Feral by Christiana Spens
‘To love the natural world is to take care of it, to allow it to be free, just as we often wish to be ourselves, and to carefully manage the downsides and difficulties of human exploration.’
Christiana Spens on land access rights in the UK.
Essay | Between Beirut, Gaza and Glangwili by A. Naji Bakhti
‘I was, in that moment, the thirty-four-year-old lecturer discussing the craft of writing with a young British student in my office at Aberystwyth University on Penglais hill. I was, also, the fifteen-year-old boy in his parent’s bathroom on the sixth floor of an old building in Beirut sheltering from Israeli airstrikes of 2006.’
A. Naji Bakhti on Beirut, Gaza and Glangwili.
Archive | The Predicament of International Style: British Painters in 1961
‘The real merit of British painting is that it is at its best romantic, unclassical, particular, fanatical, self-obsessed and the result of close observation in a misty country that has longish winter evenings.’
A survey of British painters in 1961.