‘I hope there is something just beyond the purview of my language that goes further than just wanting to be a woman and not always having been one.’
New short fiction by Beth Preece.
Archive | In the Shadow of War by Ben Okri
‘When he looked at the canoes again they had changed into the shapes of swollen dead animals.’
From 1988, short fiction by Booker-prize winner, Ben Okri.
Interview | Jacqueline Feldman: ‘It’s salutary to spend time around people who have arranged their lives in radical ways.’
Julia Steiner interviews Jacqueline Feldman about Precarious Lease: The Paris Document: a book of literary reportage on Parisian squats of the early 2010s.
Fiction | Signal by A. E. Macleod
‘Not until later does he pose to himself the question: why does he imagine it is a woman bound in the basement and not a man?’
New fiction by A. E. Macleod.
Essay | Low-quality Sonic Snapshots by Marie Thompson
‘Personal assistants are typically imagined to be female – it is a role that has historically been undertaken by women. Likewise, many of the smartphones’ various ‘assistants’ are gendered as female – they are part of a long historical lineage of robotic femininities.’
An extract by Marie Thompson from Bodies of Sound: Becoming a Feminist Ear.
Archive | Don Quixote on a Bicycle: In Memoriam, George Orwell
‘He loved good bad poets. Knew nothing about painting, but knew that he knew nothing. Listened as much as he talked. Was incapable of playing to the gallery. Could tell a joke against himself.’
From 1957, George Orwell’s friend, Paul Potts, pays tribute to the novelist and essayist.
Archive | Bob Dylan on Tour by Angela Carter
‘He has become a prophet of chaos and those who once accepted him as a blue-denim Messiah of a Brotherhood future once the times had changed may sense a personal betrayal.’
In 1966, Angela Carter reviewed Bob Dylan’s World Tour.
Interview | Mingling with Caleb Parkin
‘Hope can be quite a toxic construct. It’s often invested in preserving the present, but what version of the present are we hoping to continue?’
Tom Nutting speaks to poet and educator, Caleb Parkin.
Archive | You Name It by Nadine Gordimer
‘At this time my husband had taken it upon himself to send for his mother to supervise the children and the atmosphere in the house was one of blinding, deafening, obsessive antagonism.’
Short fiction by Nadine Gordimer.
Interview | Gustav Parker Hibbett: ‘I grew up with other people being the authority in defining my identity.’
Jamie Cameron speaks to Gustav Parker Hibbett about form, identity and what it felt like to be shortlisted for the T. S. Eliot Prize for their collection, High Jump as Icarus Story.
Review | ‘Song is a strong thing’: On the T. S. Eliot Prize Shortlist by Dominic Leonard
‘Whether in subject, form, style or quality, a shortlist can at least set out the stall of contemporary poetry and say: this is, for better or worse, what’s going on.’
Dominic Leonard reviews the 2024 T. S. Eliot Prize shortlist.
Archive | A Message from T. S. Eliot
‘Readers must be encouraged to read books, not merely to talk about books they have not read.’
A message from T. S. Eliot, from the February 1954 edition of The London Magazine.
Review | With One Hand Waving Free: Ken Fuller’s Latest Political Thriller
‘A lyrical poetry emerges from the forward-rolling action and dialogue.’
Rachel Birchley review Ken Fuller’s new novel, With One Hand Waving Free
Archive | Texts for Nothing: VI by Samuel Beckett
‘Words can be blotted and the mad thoughts they invent, all you have to do is say you said nothing and so say nothing again.’
Samuel Beckett in the August 1967 edition of The London Magazine.
Interview | Jon Day: ‘I hate the idea of going places.’
‘Great things to learn as a writer: how to meet a deadline, how to be edited, how not to be precious about your prose.’
Rose Brookfield interviews Jon Day.
The Best Books of 2024
This year, we asked our 2024 reviewers to select their favourite book of the year. Selections include Our Evenings by Alan Hollinghurst, Adam by Gboyega Odubanjo and A Question of Palestine by Edward Said, as well as collections of essays on French theory, re-issued aphorisms and photographic monographs.
Archive | Poem by John Betjeman
‘Is he too ill to know that he is dying? / And, if he does know, does he really care?’
A poem by John Betjeman, from the May 1957 issue of The London Magazine.
Podcast | Paul Stephenson
‘Bereavement, grief: it’s extremely self-indulgent.’
On this episode of The London Magazine Podcast, we talk to poet and editor Paul Stephenson about poetic form, absurdity, grief and more.
Review | The Cesspits of London by Hugh Dunkerley
‘The portrayals of Victorian London in The Night Mechanic are as visceral and powerful as many of those conjured by Dickens.’
Hugh Dunkerley reviews ‘The Night Mechanic’.
Interview | Rose Electra Harris: Big Canvas, Bright Colours
‘One of the things that I get torn about is that I feel really lucky that I’m an artist, but often wonder if it’s quite a selfish thing to be doing.’
Zadie Loft speaks to Rose Electra Harris.
Review | All Is Not Well by Zadie Loft
‘In the first half, Helen’s pursuit of and infatuation for Bertram seems sweet, comical and harmless; by the second, her actions have been shown to be what they always were: sexual harassment and assault.’
Zadie Loft reviews All’s Well That Ends Well.
Fiction | I Just Died by Theo Macdonald
‘Sometimes he would sit on the sofa in his dressing gown and mumble something about the emotional labour of the commute.’
New fiction by Theo Macdonald.
Interview | Orlando Reade in Conversation by Marina Scholtz
‘I was told very early on by people in publishing that there is no market for literary criticism – none.’
Marina Scholtz speaks to Orlando Reade.
Review | Wild Seas, Wilder Cities by Judy Waite
‘The potential for individuals to make a difference is celebrated and echoed throughout this collection.’
Judy Waite reviews ‘Wild Seas, Wilder Cities’.