An interview with Roubi L’Roubi, co-curator of Forests and Spirits: Figurative art from the Khartoum School, a new exhibition at the Saatchi Gallery.
Review | Focus Kazakhstan: Postnomadic Mind
Stepping into Wapping Hydraulic Power Station, originally built in 1890 to power the machinery of industrial London, the similarities between…
Review | This is Memorial Device by David Keenan
Scottish music in 1983 This is Memorial Device, David Keenan, Faber and Faber, February 2017, pp.304, £14.99, (paperback) News of the…
Interview | Cradeaux Alexander
American video and performance artist Cradeaux Alexander presents a mid-career retrospective this month at Bow Arts, London. Jemima Walter met…
Review | Burning Woman by Lucy H. Pearce
Briony Willis Burning Woman Burning Woman, by Lucy H. Pearce, Womancraft Publishing, pp. 240, £10.99 (paperback) Designed to teach, inspire and empower generations…
Review | Letters To A First Love From The Future by Andy Armitage
Andy Armitage’s pamphlet is among a number of new releases from the poetry press Half-Moon Books, which is based in…
Review | Promising Young Women by Caroline O’Donoghue
This year has truly brought to the fiction scene some of the most stunning and powerful female characters. From the…
8 of Europe’s Best Bookshops
A good bookshop can be many different things – a haven from the world, a counter-cultural space, and a meeting…
Review | Notes from the Dream House
Notes from the Dream House encloses half a century of films reviewed for the Observer by legendary critic Philip French. The book is a compact reminder of French’s immense knowledge of film and the cinematic world, spanning from 1963 to 2013, almost half the history of film, throughout which French’s ability to convey dense ideas in a short and easily digestible format shines through, whether the high-brow or low-brow is being reviewed.
Review | DRAG: Self-portraits and Body Politics at the Hayward Gallery
DRAG: Self-portraits and Body Politics 22 August – 14 October 2018 HENI Project Space, Southbank Centre’s Hayward Gallery In what…
Review | All Under One Roof by Evelyn Schlag
ALL UNDER ONE ROOF Evelyn Schlag (Translated by Karen Leeder) Carcanet, June 2018 Since 1981 Austrian poet, Evelyn Schlag has…
Review | Women Talking by Miriam Toews
It seems ironic that a work so concerned with the female voice should be written from a man’s perspective. But…
Review | The King and the Catholics: The Fight for Rights 1829 by Antonia Fraser
In an age which has sidelined the Christian faith, the long, bitterly contested campaign to remove the serious discrimination suffered…
Review | A Perfect Mirror by Sarah Corbett
In the increasingly urbanised world in which we live, as encapsulated by ‘The Commute’, the first poem in Sarah Corbett’s…
Review | James Cook: The Voyages at The British Library
By Charlie Allen James Cook: The Voyages, British Library, 69 Euston Road, NW1 2DB It is appropriate that an exhibition…
Review | A Girl Behind Dark Glasses by Jessica Taylor-Bearman
Review | A Girl Behind Dark Glasses by Jessica Taylor-Bearman Published by Hashtag Press, 2018 If you’re a certain age you…
Artist and Bon Viveur | Andrew Lambirth
John Craxton in Greece: The Unseen Works, Osborne Samuel, 23 Dering Street, London W1, 10 May – 8 June 2018…
Review | Break.up by Joanna Walsh
The online world often seems clean and seamless; it doesn’t have any scars to reveal its traumas or accidents. Bodies,…
Review | Nowhere Nearer by Alice Miller
Jack Solloway Nowhere nearer Nowhere Nearer, Alice Miller, Pavilion Poetry, 61pp, 2018, £9.99 (paperback) ‘We are no longer quite here…
Review | Frida Kahlo: Making Her Self Up and Dorothea Lange: The Politics of Seeing
Frida Kahlo: Making Her Self Up, Victoria & Albert Museum, Circe Henestrosa & Claire Wilcox, until November 4th 2018 Dorothea…
Review | Daido Moriyama: SCENE at Hamilton’s Gallery
Some of the silk-screen photographs at Daido Moriyama’s exhibition at Hamilton’s gallery depict wide shots of the bustling Tokyo street,…
Review | Berenice Sydney: Dancing with Colour at Saatchi Gallery
SALON, Saatchi Gallery’s project space at its Duke of York’s HQ, is currently showing Dancing With Colour, a presentation of…
Review | Feel Free by Nick Laird
Nick Laird’s new poetry collection, Feel Free, shares a title with his wife Zadie Smith’s January-released essay collection, and while…
Review | A Midsummer Night’s Dream at Wilton’s Music Hall
Sitting in Wilton’s Music Hall on a sticky summer evening during a heatwave, it is not hard to find yourself…

























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