Review | The Cemetery in Barnes by Gabriel Josipovici
“After all, everyone has fantasies. In the one life there are many lives. Alternative lives. Some are lived and others…
Review | Leminscate by Chris Viner
Leminscate, Chris Viner, Unsolicited Press, 2017, pp. 72 The 6th isn’t busy. Six days since the attack And inside the…
Review | The Monstrous Child at The Royal Opera House
The newly refurbished Linbury Theatre in the Royal Opera House is having its first opera performances with the world premiere…
Review | Abuse II, The Uncanny by Alessio Bolzoni
At first you see the bodies and ask yourself why – that is how the story begins, how the narrative…
Review | Mad, Bad, and Dangerous to Know by Colm Tóibín
Mad, Bad, Dangerous to Know: The Fathers of Wilde, Yeats and Joyce, Colm Tóibín, Viking, 2018, pp.192, £14.99 Strolling through the…
Review | Diane Arbus & Kader Attia at the Hayward Gallery
From the very conception of artistic expression, artists have engaged with the notion of self and the formation of identity.…
Review | Mothlight by Adam Scovell
Adam Scovell’s debut novel is narrated by Thomas, a young man who hallucinates the memories of his deceased mentor, Phyllis…
Review | Nocilla Lab | Agustín Fernández Mallo
Nocilla Lab, Agustín Fernández Mallo (Translated by Thomas Bunstead), Fitzcarraldo Editions, 2019, pp. 192, £12.99 “The fascination of humankind with…
Dido and Aeneas by Jeffrey Meyers
Autumn in Venice: Ernest Hemingway and His Last Muse, Andrea di Robilant, Atlantic Books, 348 pp. £17.99 (hardback). Andrea di…
Review | Tracey Emin: A Fortnight of Tears at White Cube
A Fortnight of Tears is a major new exhibition of works by acclaimed British artist Tracey Emin. The show features…
Review | Among The Lost by Emiliano Monge
In the desolate wastelands between the sierra and the jungle, under an all-seeing, unforgiving sun, a single day unfolds as…
Review | Ghislaine Leung at the Chisenhale Gallery
Ghislaine Leung’s Constitution opened at the Chisenhale Gallery on the 25th January 2019. The work explores the notion of withdrawal…
Review | GeorgII Uvs | Full Circle: The Beauty of Inevitability at Saatchi Gallery
Science and art come together under the inventive hand of GeorgII Uvs in Full Circle: The Beauty of Inevitability. A…
Spotlight III: Influx Press
The London Magazine has long been a champion of emerging writers and independent publishers, stretching back to the 1950s and…
Review | Bill Viola / Michelangelo: Life, Death, Rebirth at Royal Academy
In a contemporary art world dominated by video art (as shown by the 2018 Turner Prize) Bill Viola / Michelangelo: Life,…
Review | Alejandro Zambra | Not to Read
Lending books to friends. Reading photocopies of novels while smoking a cigarette. Finding the previous owner’s angry scribbles in a…
Archive | Review | Evelyn Waugh on Don’t Tell Alfred by Nancy Mitford
While looking through our archive recently we came across this review by Evelyn Waugh of Nancy Mitford’s novel Don’t Tell…
Review | We Live in an Ocean of Air by Marshmallow Laser Feast at Saatchi Gallery
SALON at Saatchi Gallery welcomes you into a dark room illuminated by two screens, two windows into a peaceful and…
Review | Xeixa: Fourteen Catalan Poets
Xeixa: Fourteen Catalan Poets Tupelo Press, 2018, edited by Marlon L. Fick and Francisca Esteve The news in recent months…
Review | Rough Trade Books | Series 3
The recently-launched Rough Trade Books imprint has been releasing pamphlets at a prolific rate since the summer of last year,…
Review | The Snowman at The Peacock Theatre
This Christmas, join the Birmingham Repertory Theatre in their magical rendition of Raymond Brigg’s The Snowman. Christmas would not be…
Review | The Triumph of Cancer by Chris McCabe
The scientific language used by doctors to describe cancer—the uncontrollable growth of a single cell—is often mystifying and alienating. Can…
Review | Space Shifters at the Hayward Gallery
An unmitigated treat if you love conceptual art installations and sculptures, SPACE SHIFTERS features twenty artists exploring our perception of…
Review | Hansel and Gretel at the Royal Opera House
The operatic Christmas mainstay Hansel and Gretel, by Humperdinck, makes a long awaited return to the Royal Opera House; it’s…
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