Review | The Chameleon by Samuel Fisher
The Chameleon is a book narrated by the soul of a book, which can shape shift between any book that it pleases. Stretching across a time frame that goes from the Black Death of the 13th century to the aftermath of the Cold War in the late twentieth century, it is one of the most unusual love stories that you are likely to read.
Review | Modern Couples: Art, Intimacy and the Avant-garde at The Barbican
The centrifugal drive behind much of the work featured in the Barbican’s new exhibition Modern Couples: Art, Intimacy and the Avant-garde is enunciated by Rodin in the first gallery: ‘I express in a loud voice what all artists think. Desire! Desire! What a formidable stimulant.’
Feature | 7 Alternative London Novels
Review | Arkady by Patrick Langley
Interview | Roubi L’Roubi | Saatchi Gallery | Forests and Spirits: Figurative art from the Khartoum School
An interview with Roubi L’Roubi, co-curator of Forests and Spirits: Figurative art from the Khartoum School, a new exhibition at the Saatchi Gallery.
Review | Focus Kazakhstan: Postnomadic Mind
Review | This is Memorial Device by David Keenan
Interview | Cradeaux Alexander
Review | Burning Woman by Lucy H. Pearce
Review | Letters To A First Love From The Future by Andy Armitage
Review | Promising Young Women by Caroline O’Donoghue
8 of Europe’s Best Bookshops
Review | Notes from the Dream House
Notes from the Dream House encloses half a century of films reviewed for the Observer by legendary critic Philip French. The book is a compact reminder of French’s immense knowledge of film and the cinematic world, spanning from 1963 to 2013, almost half the history of film, throughout which French’s ability to convey dense ideas in a short and easily digestible format shines through, whether the high-brow or low-brow is being reviewed.
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