Interview | Camille Emmanuelle
Interview | Marion Messina on ‘Monstrous’ Novels by Erik Martiny
Interview | Douglas Abdell talks to Jean Wainwright about ‘A Reconstructed Trap House’
Interview | ‘Women are Expected to Tell Their Personal Story all the Time’: In Conversation with Eimear McBride
Interview | Éric Chevillard on Experimental Writing by Erik Martiny
Interview | Ted Hodgkinson on the London Literature Festival
Interview | ‘Letting Go of My Mother Tongue’: Vanessa Onwuemezi
Interview | Acoris Andipa on Banksy
Interview | Jolyon Fenwick and Liza Campbell on ‘Life is Too Short to Live in Black and White’
Interview | Marika Doux on ‘A Message of Consolation’ by Erik Martiny
Interview | Anders Edström’s on Shiotani’
Interview | Anton Smit on Sculptures by Eric Block
Interview | Madeleine Bunting on Ceremony of Innocence
Interview | Robert Douglas-Fairhurst on The Turning Point: A Year That Changed Dickens and the World by James Riding
Interview | Sarah Staton on ‘Alphonso’
Interview | AnnaLeaClelia Tunesi on ‘Archaeology Goes Pop’
Interview | Kwame Asafo-Adjei on Developing Movement
Interview | Rob Auton on Comedy, Ivor Cutler and Saving Money
Interview | Akademy: The Intellectual Members Circle
Interview | ‘I Dreamt of Writing about Heartbreak and Love’: Skye Jackson in Conversation with Scarlett Sabet
Another poet who is never far from me is Frank O’Hara. I don’t think I’d be a poet if not for his influence when I first began writing years ago. I love O’Hara’s ability to paint a scene – he wrote with such a delicious intimacy and an eye for the small moments that make up a life. I’m very drawn to his voice. When I read his poetry, I feel like I’m having a warm conversation with a very close friend. He gives you the room to breathe and listen. So Lunch Poems is pretty much […]
Interview | Athena Art Foundation
As people who look at great pre-modern art every day for both work and pleasure, we are passionate about enabling others to discover what it has to offer. It is encouraging to see the huge appetite for high-quality digital content about art over the past year, but it has also highlighted three issues. The first is the sheer volume of material being uploaded to museum websites, Instagram and YouTube that no individual has the time to sift through. The second is that […]
Interview | Esen Kaya on ‘Making Paradise’ at The Aga Khan Centre Gallery
Interview | Richard Barnett on Wittgenstein, War and the ‘Shadow of Silence’
Reading Ray Monk’s magnificent biography of Wittgenstein, I came across a letter to his nephew, written some time in the thirties, in which he said that ‘[the war] saved my life; I don’t know what I’d have done without it.’ To find a philosopher as perceptive and as unillusioned as Wittgenstein saying that the war had saved his life – and then to find he’d worked out much of the Tractatus while serving as a forward artillery observer, about the most dangerous posting anywhere in the war – stopped me dead […]
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