‘Not until later does he pose to himself the question: why does he imagine it is a woman bound in the basement and not a man?’
New fiction by A. E. Macleod.
Essay | Remembering John Burnside in The Empire of Forgetting by Callum MacKillop
‘When I learned Burnside had died, I wondered if I had a claim to grief, and if I did, whether it was for the poet I admired or the generous teacher I had come to know.’
Callum MacKillop on John Burnside’s Empire of Forgetting.
Review | The Cesspits of London by Hugh Dunkerley
‘The portrayals of Victorian London in The Night Mechanic are as visceral and powerful as many of those conjured by Dickens.’
Hugh Dunkerley reviews ‘The Night Mechanic’.
Fiction | I Just Died by Theo Macdonald
‘Sometimes he would sit on the sofa in his dressing gown and mumble something about the emotional labour of the commute.’
New fiction by Theo Macdonald.
Review | Wild Seas, Wilder Cities by Judy Waite
‘The potential for individuals to make a difference is celebrated and echoed throughout this collection.’
Judy Waite reviews ‘Wild Seas, Wilder Cities’.
Fiction | Un by Louie Conway
‘The baby has come to understand the world as reducible into categories, an indefinitely vast space populated by discrete objects with dedicated names and stable locations.’
Runner-up in the Brick Lane Bookshop Short Story Prize 2024: Louie Conway’s ‘Un’.
Essay | The Leftovers by Gabrielle Showalter
‘Sandy had decimated our marine life and scarred our coastline, and then came the developers to carve up the carcass. These days, the new residents have a saying for the remaining pre-Sandy locals: the leftovers.’
Gabrielle Showalter recalls Hurricane Sandy.
Review | Blood and Coal by RC Birchley
‘But amid all of this, there is an undercurrent of something other.’
RC Birchley reviews Sue Harper’s ‘Blood and Coal’.
Essay | Swimming Pools by Emmeline Armitage
‘Pools are a curious manipulation of the natural. Where the sea performs feeling, unbreakable and unending, the reality of the pool is one trapped, much like the icons of this era, in aesthetic permanence.’
Emmeline Armitage on the symbol of the swimming pool.
Essay | For Love of the Feral by Christiana Spens
‘To love the natural world is to take care of it, to allow it to be free, just as we often wish to be ourselves, and to carefully manage the downsides and difficulties of human exploration.’
Christiana Spens on land access rights in the UK.
Review | Will There Ever Be Another You by Patricia Lockwood
‘Lockwood is taking the real and slipping it through genres in her efforts to capture it, resulting in a portrayal more authentic than straight fiction or memoir.’
Oonagh Devitt Tremblay reviews Patricia Lockwood’s latest novel, Will There Ever Be Another You.
Review | Use the Words You Have by Kimberly Campanello
‘Use the Words You Have is not just a novel of desire. It’s a meditation on the nature of language itself.’
Bruce Omar Yates reviews Kimberly Campanello’s debut novel, Use the Words You Have.
Essay | Breads, Bagels and Baked Love by Emil Hallqvist
Emil Hallqvist May 21, 2026 Breads, Bagels and Baked Love . Bread is ridiculously overrated. Brioche – too buttery. Sourdough –…
Essay | Ophrys, or Of Seduction by Alicia Kopf
‘Modern biology strengthens what Darwin already noted: nature experiments constantly with sex and gender, without being reduced to any single pattern.’
Alicia Kopf on Darwin, sexual selection and orchids.
Review | Common People by Fonie Mitsopoulou
‘The novel’s central question is this: can afflicted people find community and security outside of the households they were born into, or is everyone willing to manipulate and deceive those around them if the situation calls for it?’
Fonie Mitsopoulou reviews Mieko Kawakami’s Sisters in Yellow.
Fiction | Margot by Marni Appleton
‘It wasn’t that I didn’t love Margot. I did, desperately, but watching people make fun of her made me feel better about myself. It was one of the only things that did.’
Short fiction by Marni Appleton. An extract from ‘I Hope You’re Happy’.
Essay | Liftoff: On Writing and Flight by Larissa Pham
‘There’s a certain kind of force that’s required to set off a novel, a tension that’s been built before the start of the book – call it backstory, call it the setup, call it the inciting event: it’s what needs to be in place for the story to begin.’
Larissa Pham on fiction and flights.
Review | Sh*tty Breaks: A Celebration of Unsung Cities by Ben Aitken
Rachel Birchley Sh*tty Breaks: A Celebration of Unsung Cities . There is something of the maverick about Ben Aitken. The…
Review | With One Hand Waving Free: Ken Fuller’s Latest Political Thriller
‘A lyrical poetry emerges from the forward-rolling action and dialogue.’
Rachel Birchley review Ken Fuller’s new novel, With One Hand Waving Free