Elizabeth’s Strout’s bestselling debut, Amy and Isabelle, announced the arrival of a serious talent. Her second, Abide With Me, went one better. With 2008’s Olive Kitteridge she moved from novels to a trickier form: the cycle of interconnected stories. It was that rare kind of book that can reasonably be called a masterpiece, and it won its author the Pulitzer prize […]
Interview | Leo Dixon on Death in Venice at the Royal Opera House
Review | Werther at the Royal Opera House
Review | The Intelligence Park by Gerald Barry at the Royal Opera House
Review | Don Pasquale by Donizetti at the Royal Opera House
Review | The Magic Flute at the Royal Opera House
Review | I May Be Stupid But I’m Not That Stupid by Selima Hill
‘Thanks to art, instead of seeing one world, our own, we see it multiplied…’ Selima Hill is a unique voice in contemporary British poetry, as the title of her latest collection — I May Be Stupid But I’m Not That Stupid — implies, there is more to her than meets the eye. Her poetry is eclectic and electric; it cartwheels through juxtapositions and leaps of logic […]
The London Magazine Short Story Prize 2019
Review | Arnold Ivey’s AVENUE – Good to see British Food in St James
News | Collyer Bristow Prize: Caoilinn Hughes wins for Orchid & the Wasp
The Collyer Bristow Prize for Debut Fiction 2019, now in its second year, has been awarded to Caoilinn Hughes for her novel Orchid & the Wasp, a Bildungsroman about Gael Foess, a young woman navigating Dublin, London and New York, as she strives to build a life raft for her loved-ones amidst economic and familial collapse […]
News | Caoilinn Hughes, on winning the Collyer Bristow Prize 2019
Review | After the Formalities by Anthony Anaxagorou
In ‘Cause’, the second poem in Anthony Anaxagorou’s collection After the Formalities, the poet reclaims the phrase ‘flames lambent’ – an image taken from Enoch Powell’s ‘Rivers of Blood’ speech and quoted by historian David Starkey in a 2011 interview following the London riots – for poetry […]
Review | Underland by Robert Macfarlane
How should writers respond to the ecological crisis? Both ‘crisis’ and the much-contested term ‘Anthropocene’ appear to bring us to the brink: there is, they tell us, no return to a state of innocence. If the possibility of an alternative future ever existed (and some claim it never did), then now it must be foregone […]
Review | Alvin Ailey Dance Theater Company at Sadler’s Wells
I first saw the Alvin Ailey Dance Theater Company during a visit to New York between Christmas and New Year in the mid-90s. I was entranced by the troupe and have never since missed a chance […]
Essay | Foreword to Zigmunds Skujiņš’s Flesh-Coloured Dominoes
Jelgava, lying just a short distance south of the Latvian capital Riga, once the seat of the Dukes of Courland as well as being a western outpost of the Russian Tsarist empire, has historically been something of a cultural crossroads. Whereas Riga became prosperous […]
Review | A Chip Shop in Poznań by Ben Aitken
Essay | Unmitigated Disaster: The Beatles’ Abbey Road by Kenneth Womack
Review | Parsifal at Bayreuth Festspiele
Review | William Blake at Tate Britain
Thought to be mad by Wordsworth but considered a genius by Coleridge, William Blake (1757 – 1827) was an oddity during his lifetime — a genius engraver of images with a penchant for public nudity and political radicalism, a poet who would break off […]
Review | The Nowhere Man by Kamala Markandaya
“Real danger is never born of anything concrete. There are only words in the beginning,” writes Kamala Markandaya. There were 71,251 race-related hate crimes recorded in 2017/18, according to a Home Office report. That’s an average of 195 racist incidents every day […]
Interview | Sam Lock: Now/here at Cadogan Contemporary
This September Cadogan Contemporary presents Now/here, the largest solo presentation to date from acclaimed British artist Sam Lock. The artist’s third exhibition with the gallery, Now/here will display fifteen medium- and large-scale paintings, sculpture and a suite […]
Review | The Fallen by Carlos Manuel Álvarez
The Fallen is only 136 pages long, but it bursts with resounding voices of unbridled pain. Carlos Manuel Álvarez’s polyphonic novel takes us across a Cuban family, each member with individual chapters — the son, the daughter, the mother, the father […]
Interview | Ben Turnbull: Manifest Decimation
Since his first show in 2002, London-born artist Ben Turnbull has produced a compelling body of work exploring America in all its glory and iniquity. His forthcoming show American History X volume III, Manifest Decimation, will be on display […]
Essay | The King of Hay-on-Wye
A maverick anarchist, bookseller and entrepreneur, Richard Booth, who has died aged 80, transformed the small Powys town of Hay-on-Wye into a mecca for the second-hand book. His significant and colourful legacy in the book trade inspired a formula […]
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