Tim Relf


If you look closely

 

everything is muddled, everything is metaphor. For example:
today a woman was jumping up and down on a pogostick.

Actually, she was pumping up a car tyre,
but that’s not what I glimpsed,

glancing past. The answer clearly is to neither stop nor
stare. See. Suddenly you’re water. Or at least waterlike.
.
.
.
Tim Relf’s work has appeared in The Spectator, Acumen, Bad Lilies, The Rialto, Stand, Under the Radar, The Frogmore Papers, Poetry Salzburg, Wild Court, One Hand Clapping and The Friday Poem. He is an alumnus of Faber’s Advanced Poetry Academy, was awarded a place on Writing East Midlands’ 2022/2023 mentoring scheme, and was 2023 poet-in-residence at Leicester Botanic Garden. His most recent novel, which was published by Penguin, has been translated into more than 20 languages.

To discover more content exclusive to our print and digital editions, subscribe here to receive a copy of The London Magazine to your door every two months, while also enjoying full access to our extensive digital archive of essays, literary journalism, fiction and poetry.

Dearest reader! Our newsletter!

Sign up to our newsletter for the latest content, freebies, news and competition updates, right to your inbox. From the oldest literary periodical in the UK.

You can unsubscribe any time by clicking the link in the footer of any email you receive from us, or directly on info@thelondonmagazine.org. Find our privacy policies and terms of use at the bottom of our website.
SUBSCRIBE