‘So what that it was okay to call it / a day? Does delight ever feel done? And hell / will come, whether or not you schedule it.’
New poetry by Nasim Luczaj.
‘So what that it was okay to call it / a day? Does delight ever feel done? And hell / will come, whether or not you schedule it.’
New poetry by Nasim Luczaj.
‘We’re going now, I said, // to say something definite. / And when the car began its song / the street sang it back, // all lamentation.’
New poetry by Rachel Curzon.
‘I don’t want to exaggerate, / but I could be happy anywhere. Together, / our losses make a home, wouldn’t you say?’
New poetry by Daniel Addercouth.
‘The words of reassurance assume something like this: David remains David, whatever happens, as long as someone remembers who he was. But I kept asking myself: When was he who he really was? When exactly was that? And what’s to say that it is not right now?’
Caleb Klaces on dementia and fiction.
‘Both his Poems and Letters, in different registers, show a private poet courting lyric publicity and cultivating a voice of guarded ambiguity: memorable, yes, but sacrificing true risk for renown.’
Jack Barron reviews Seamus Heaney’s collected Poems and Letters.
‘Sitting across the ornate coffee table from my husband, I felt as if I was seeing him for the first time. I told him so, somewhat jokingly, but mainly to crush the silence that had overtaken us, and was about to add, At least we can finally catch our breath, eh? but then I was overcome by the feeling of telling a lie, so I kept the rest to myself.’
Winner of The London Magazine Short Story Prize 2025.
There is no excerpt because this is a protected post.