‘The much-lauded style of Hollinghurst’s prose is abundantly present, with an elegance in the sentences that never obscures the pull of the narrative.’
Patrick Cash reviews Alan Hollinghurst’s Our Evenings.
‘The much-lauded style of Hollinghurst’s prose is abundantly present, with an elegance in the sentences that never obscures the pull of the narrative.’
Patrick Cash reviews Alan Hollinghurst’s Our Evenings.
‘Twenty-nine Jack Reacher novels and counting. What does it require of the reader to make it through every headbutt of every book? What does it say about me that I have read them all? What does it say of the writer of twenty-nine Jack Reacher novels?’
Richie Jones on Lee Child’s Jack Reacher franchise.
‘It was as if I was being allowed an insight into the very core of their lives, and I felt closer to them than to the people I actually lived with.’
Short fiction by Eddie Creamer, runner up in The London Magazine Short Story Prize 2024.
‘Because poetry must use language, which is inherently opaque and unstable, it has to be more precise than mathematics. For poets, there is no higher morality than precision.’
Lee Seong-Bok on poetry.
‘The short stories in this collection cannot, therefore, be read as lesser examples of Bolaño’s novels.’
Tommy Gilhooly on The Collected Stories of Roberto Bolaño.
‘There can be many different ‘correct’ translations of the same text: I think that we each have not only multiple stories we can tell about our lives, but many forms for them, too.’
Jen Calleja on writing experimental memoir.
‘Yes I understand the world; it doesn’t mean I want / to do it. It’s hard!’
Two poems by Miruna Fulgeanu.
‘But these are not just white people, these are queer people. And what is that supposed to mean? Is queer some reliable thing?’
Short fiction by Amaan Hyder, winner of The London Magazine Short Story Prize 2024.
‘The sheer volume of material we encounter renders our engagement with any part of it increasingly difficult.’
Joey Connolly on information overload and syzygy.