On the face of it, Flesh-Coloured Dominoes is a book of two novels spliced together: its chapters alternate between two wildly different narratives. One is a bildungsroman of sorts that sees the Second World War through the eyes of an unnamed first-person narrator, a young orphan growing up in Riga; the other is set in the 18th century in Vidzeme – part of modern-day Latvia – and aptly centres on a very literal, very macabre case of conjoining two odd halves to make a whole […]

Charlie Dixon Robyn Denny: Works on Paper Robyn Denny’s work soared with the post-war momentum of 60’s London, helping to…

In ‘Cause’, the second poem in Anthony Anaxagorou’s collection After the Formalities, the poet reclaims the phrase ‘flames lambent’ – an image taken from Enoch Powell’s ‘Rivers of Blood’ speech and quoted by historian David Starkey in a 2011 interview following the London riots – for poetry […]

How should writers respond to the ecological crisis? Both ‘crisis’ and the much-contested term ‘Anthropocene’ appear to bring us to the brink: there is, they tell us, no return to a state of innocence. If the possibility of an alternative future ever existed (and some claim it never did), then now it must be foregone […]

I first saw the Alvin Ailey Dance Theater Company during a visit to New York between Christmas and New Year in the mid-90s. I was entranced by the troupe and have never since missed a chance […]

A Frank O’Hara Notebook, Bill Berkson, No Place Press, 2019, 278 pp, £35.00 (hardcover) Frank O’Hara’s poetry has previously been described…

Uwe Eric Laufenberg’s thought-provoking, sometimes flawed production of Parsifal is revived for audiences at the Bayreuth Festspiele. The Bayreuth Festspiele…

Anyone who thinks fiction and poetry are dying art forms needs to stay at home and get online more. As Russell Bennetts wrote in The Digital Critic ‘the revolution might not be televised, but will almost certainly be seen by your fingertips.’ Bennetts’s two literary websites […]

September 1, 1939: A Biography of a Poem, Ian Sansom, Harper Collins Publishers, 2019, 352 pp, £16.99 (hardback) W.H. Auden’s…

Thought to be mad by Wordsworth but considered a genius by Coleridge, William Blake (1757 – 1827) was an oddity during his lifetime — a genius engraver of images with a penchant for public nudity and political radicalism, a poet who would break off […]