‘I mean something closer to: am I a good person? Am I sincere and devout to those things in my life that I ought to be?’
New fiction by Benjamin George Coles.
‘I mean something closer to: am I a good person? Am I sincere and devout to those things in my life that I ought to be?’
New fiction by Benjamin George Coles.
‘I’d rather let roots slip between my ribs / and knit these bones into the black soil / to keep them still and ease what restlessness/ might remain.’
New poetry by Michael Bazzett.
‘I feed the birds / before I feed myself.’
New poetry by Luciana Francis.
‘Like clouds, I take my colour from the air.’
New poetry from Sylee Gore.
‘The few days turned to weeks and years and it was a decade before we spoke about the future, a conversation focused on the past.’
New fiction by Gary Finnegan.
‘And then, finally, what really puzzled him: what, I mean, what were women? What was it about them, as a group, that had always made him a little wary? They suddenly seemed too wearying an abstraction, like the geometry of curved space.’
New fiction by Madeleine Stein.
‘Dad drinks a pint of Newcastle Brown
feet sticking to the floor,
the room thick with fag smoke.
Dad 70’s cool, beard & sideburns & swagger.’
New poetry by Rachel Burns.
‘You grow up in poverty. You are told you are lucky, and that luck is why you are the only child in the family who gets an education. You have a natural sense for numbers, and feel that luck is a question of numbers. It is a question of the number of years separating you and your siblings from the source of luck.’
New fiction by Lilia SalammbĂ´ Fetini.
‘everything is muddled, everything is metaphor.’
New poetry by Tim Relf.
Currently showing at the Southbank Centre’s When Forms Come Alive exhibition, we spoke to Eva FĂ bregas about her sculptural installations, form, and desire.
Currently showing at Gallery 46, we spoke to David Tucker about his fearless paintings and sculptures.
Pacifica Goddard on Hetch Hetchy & The Greatest Good
Patrick Cash reviews Isabel Waidner’s ‘Corey Fah Does Social Mobility’ and Alison Rumfitt’s ‘Brainwyrms’
Hugh Foley reviews Ben Lerner’s ‘The Lights’ and Timothy Donnelly’s ‘Chariot’
‘I’d heard about the surgery even before Cathy reminded me of it. They’d discussed it on the radio one morning, and I’d half listened as I was making coffee, but it seemed experimental – outlandish, even – and I assumed the idea would flicker, smoke, and then go out, like the time they talked about finding volunteers to go to space forever.’
New fiction by Sarah Turner.
‘Whilst approaching the prosaic in terms of length and division, Warmelo’s disregard for grammatical conventions pays homage to, yet disrupts and furthers a poetic legacy.’
Katrina Nzegwu reviews Aea Varfis-van Warmelo’s Intellectual Property.
You must be logged in to post a comment.