‘I have been searching for the word to describe the feeling of wanting big things, a hunger that grows and surpasses what I have inherited.’
New fiction by Jimin Kang.
‘I have been searching for the word to describe the feeling of wanting big things, a hunger that grows and surpasses what I have inherited.’
New fiction by Jimin Kang.
‘In other words, there is a love that waits, and it has been and is being published in Latvia – as well as elsewhere – right now, before our eyes.’
Ivars Šteinbergs on Latvian poetry.
‘Then I told him he looked like a lop-sided Trent Reznor and didn’t he want to kiss me? This is a kind of flirting. This has never not worked.’
Fiction by Sarah Fletcher.
‘Whilst his subjects range widely, Hardy’s style is constant. Even in the theatre of war, he managed to keep his frame still.’
Henry Roberts reviews Bert Hardy: Photojournalism in War at the Photographers’ Gallery.
‘If the meaning of a poem is obvious without breaking scrolling pace, then a core aspect of the form has been lost.’
Lee Hatsumi Mayer on the Romantic poets today.
‘She was going to have a large life, an important life. She could feel it.’
Fiction by Hadley Franklin, winner of the Desperate Literature Short Fiction Prize 2023.
‘Then as I was writing I was drawing this Exodus-like pillar of cloud, this memory of my brother, out of the dreamscape, out of the fog of the morning.’
Thomas Gardner on the new Daunt Books Publishing edition of his collection, Poverty Creek Journal.
‘As an artist, I’m an observer. My role is to alert and call to attention, not write policy. My sensibility is such that I experience the world intensely and recreate it in a visual form. But to try and answer this impossible question, one of such complexity, rooted in history and human avarice, a plan of correction would take time, which we don’t have, and a concerted effort, which we don’t have.’
Charlotte Hopkins Hall on her forthcoming show at Gallery 46.
‘“It’s your birthday tomorrow,” said my mother. “Did you know the Jesuits say ‘Give me a child before the age of seven and he’ll be mine forever?’” “Who are the Jesuits?” “Priests.” “Oh.” She tousled my hair. “Thank god you’ve met none.”’
New fiction by Jago Rackham.
‘A lot of horror films trade in Christian symbols and ideas – demons, upside down crucifixes and so on. Jewish folklore is just as stuffed with goblins and witches and ghosts – all manner of fun things to play around with. So why shouldn’t they play a part in my modern Jewish novel?’
Toby Lloyd on his debut novel, Fervour.
‘Of justices, karma is the most poetic— / a magistrate who makes us wear / our wrongs: albatrosses, ugly charms.’
New poetry by Jane Zwart.
‘Both contemporary pieces seek to build on this revolutionary choreography rather than imitate it perfectly, yet both acknowledge that Nijinska’s work marked key developments in the world of choreography, bridging the gap between one century and the next in the world of classical dance. So how did it come to pass that now she is known primarily as a keeper of her brother’s career?’
Esmee Wright on Bronislava Nijinska.
‘I mean something closer to: am I a good person? Am I sincere and devout to those things in my life that I ought to be?’
New fiction by Benjamin George Coles.
‘I’d rather let roots slip between my ribs / and knit these bones into the black soil / to keep them still and ease what restlessness/ might remain.’
New poetry by Michael Bazzett.
‘I feed the birds / before I feed myself.’
New poetry by Luciana Francis.
‘Like clouds, I take my colour from the air.’
New poetry from Sylee Gore.
‘The few days turned to weeks and years and it was a decade before we spoke about the future, a conversation focused on the past.’
New fiction by Gary Finnegan.
‘Dad drinks a pint of Newcastle Brown
feet sticking to the floor,
the room thick with fag smoke.
Dad 70’s cool, beard & sideburns & swagger.’
New poetry by Rachel Burns.
‘You grow up in poverty. You are told you are lucky, and that luck is why you are the only child in the family who gets an education. You have a natural sense for numbers, and feel that luck is a question of numbers. It is a question of the number of years separating you and your siblings from the source of luck.’
New fiction by Lilia Salammbô Fetini.
‘everything is muddled, everything is metaphor.’
New poetry by Tim Relf.
Currently showing at the Southbank Centre’s When Forms Come Alive exhibition, we spoke to Eva Fàbregas about her sculptural installations, form, and desire.
Currently showing at Gallery 46, we spoke to David Tucker about his fearless paintings and sculptures.
Pacifica Goddard on Hetch Hetchy & The Greatest Good
Patrick Cash reviews Isabel Waidner’s ‘Corey Fah Does Social Mobility’ and Alison Rumfitt’s ‘Brainwyrms’