‘Readers must be encouraged to read books, not merely to talk about books they have not read.’
A message from T. S. Eliot, from the February 1954 edition of The London Magazine.
‘Readers must be encouraged to read books, not merely to talk about books they have not read.’
A message from T. S. Eliot, from the February 1954 edition of The London Magazine.
‘Words can be blotted and the mad thoughts they invent, all you have to do is say you said nothing and so say nothing again.’
Samuel Beckett in the August 1967 edition of The London Magazine.
‘Great things to learn as a writer: how to meet a deadline, how to be edited, how not to be precious about your prose.’
Rose Brookfield interviews Jon Day.
This year, we asked our 2024 reviewers to select their favourite book of the year. Selections include Our Evenings by Alan Hollinghurst, Adam by Gboyega Odubanjo and A Question of Palestine by Edward Said, as well as collections of essays on French theory, re-issued aphorisms and photographic monographs.
‘Is he too ill to know that he is dying? / And, if he does know, does he really care?’
A poem by John Betjeman, from the May 1957 issue of The London Magazine.
‘Bereavement, grief: it’s extremely self-indulgent.’
On this episode of The London Magazine Podcast, we talk to poet and editor Paul Stephenson about poetic form, absurdity, grief and more.
‘One of the things that I get torn about is that I feel really lucky that I’m an artist, but often wonder if it’s quite a selfish thing to be doing.’
Zadie Loft speaks to Rose Electra Harris.
‘In the first half, Helen’s pursuit of and infatuation for Bertram seems sweet, comical and harmless; by the second, her actions have been shown to be what they always were: sexual harassment and assault.’
Zadie Loft reviews All’s Well That Ends Well.
‘Sometimes he would sit on the sofa in his dressing gown and mumble something about the emotional labour of the commute.’
New fiction by Theo Macdonald.
‘I was told very early on by people in publishing that there is no market for literary criticism – none.’
Marina Scholtz speaks to Orlando Reade.
‘Because poetry must use language, which is inherently opaque and unstable, it has to be more precise than mathematics. For poets, there is no higher morality than precision.’
Lee Seong-Bok on poetry.
‘The short stories in this collection cannot, therefore, be read as lesser examples of Bolaño’s novels.’
Tommy Gilhooly on The Collected Stories of Roberto Bolaño.
‘There can be many different ‘correct’ translations of the same text: I think that we each have not only multiple stories we can tell about our lives, but many forms for them, too.’
Jen Calleja on writing experimental memoir.
From: £50.00
On The London Magazine podcast, we speak to brilliant writers, poets and artists about their craft, inspiration and career so far. If ever you want to ask our guests a literary question, email info@thelondonmagazine.org to have it asked on the podcast.
‘Bereavement, grief: it’s extremely self-indulgent.’
On this episode of The London Magazine Podcast, we talk to poet and editor Paul Stephenson about poetic form, absurdity, grief and more.
‘I don’t want to be a representative for a nation state.’
We chatted to Joshua Jones, author of Local Fires, about the benefits of multiple POVs and interconnected stories, how not to get sued when writing autofiction and his love of Chicago indie rock band, Joan of Arc.
Claire Carroll writes experimental fiction about the intersection of nature, technology and desire. On the podcast, she talks about her new short story collection, The Unreliable Nature Writer.
The London Magazine has a publication history spanning almost three hundred years, and has featured work by some of the most prominent names in literature, from John Keats to Hilary Mantel. In this curated selection, we share our favourite pieces from the TLM archive.
‘Readers must be encouraged to read books, not merely to talk about books they have not read.’
A message from T. S. Eliot, from the February 1954 edition of The London Magazine.
‘Words can be blotted and the mad thoughts they invent, all you have to do is say you said nothing and so say nothing again.’
Samuel Beckett in the August 1967 edition of The London Magazine.
‘Is he too ill to know that he is dying? / And, if he does know, does he really care?’
A poem by John Betjeman, from the May 1957 issue of The London Magazine.