That saturnine, mercurial Irishman
would sit in bars and scribble lines
on beer-mats, not bothering tra-la to scan
mechanically or fret about his rhymes.

His ear pitch-perfect, he would dive
into  

the  

flux  

with  

gusto  

and  

delight
in revelations of the cave
while ironizing Plato’s radiant light.

Who else comes close to coming close
to showing what a lyric might amount to,
a miracle of freedom you can parse,
elegance topped by sprezzatura?

Who else can match his dash
or darkness? Before Charon sticks
his oar in (‘if you want to die’),
I’d wish to praise his maker with words tricked

into  

place  

like  

a  

cab  

that  

finds
its destination in a room
that  

holds  

reflected  

doubles,  

or  

like  

minds
kindling  

a  

shared  

thought  

into  

flame.

The London Magazine
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