The sand retreats, and out among the steeple-flint, embedded in clay, cicada-people, larval, shadowless people appear along the shingle’s length as if in protest against the living.

With splintered teeth, obscenely twisted mandibles, their cracked skulls hum to the low frequency of wind, their bones lie stiff as a clean horizon, and I feel something like a stone forming in my memory as I look down at them.

So I sit with them until the night, the still water takes them back, and I notice the pull of silence, sand rolling over dunes, the methodical movement of the moon along its orbit. I notice a rigid reflection in the swell, a distant wave breaking, a death’s knell.

Dearest reader! Our newsletter!

Sign up to our newsletter for the latest content, freebies, news and competition updates, right to your inbox. From the oldest literary periodical in the UK.

You can unsubscribe any time by clicking the link in the footer of any email you receive from us, or directly on info@thelondonmagazine.org. Find our privacy policies and terms of use at the bottom of our website.
SUBSCRIBE